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    Search Results: Returned 14 Results, Displaying Titles 1 - 14
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      c2010., Alfred A. Knopf Canada Call No: Fic Doy    Availability:1 of 1     At Your Library Series Title: Last roundup   Volume: v. 3Summary Note: At the end of 'Oh, Play That Thing', Henry, his leg severed in an accident with a railway boxcar, crawls into the Utah desert to die only to be discovered by John Ford, who's there shooting his latest Western. Ford recognizes a fellow Irish rebel and determines to turn Henry's fascinating story into a film.
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      2012., Troubador Edition: eBook ed.    Summary Note: A moving saga that takes the reader to the very heart of a close-knit, fiery, loving family perfect for fans of Mary Larkin, Pam Weaver and Maggie Craig.
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      2021., Grove Press Call No: Fic Kee   Edition: First Grove Atlantic hardcover edition.    Availability:1 of 1     At Your Library Summary Note: It is 1985 in a small Irish town. During the weeks leading up to Christmas, Bill Furlong, a coal merchant and family man faces into his busiest season. Early one morning, while delivering an order to the local convent, Bill makes a discovery which forces him to confront both his past and the complicit silences of a town controlled by the church.
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      2020., General, Hanover Square Press Call No: Fic Ban    Availability:1 of 1     At Your Library Summary Note: Investigating the murder of a County Wexford priest in 1957, Detective Inspector St. John Strafford navigates harsh winter weather and the community's culture of silence to expose an aristocratic family's dangerous secrets.
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      2020., HarperCollins Edition: Unabridged.    Connect to this eAudiobook title    Click here to view Series Title: St. John Strafford   Volume: 1Summary Note: The incomparable Booker Prize winner's next great crime novel?the story of a family whose secrets resurface when a parish priest is found murdered in their ancestral home Detective Inspector St. John Strafford has been summoned to County Wexford to investigate a murder. A parish priest has been found dead in Ballyglass House, the family seat of the aristocratic, secretive Osborne family. The year is 1957 and the Catholic Church rules Ireland with an iron fist. Strafford?flinty, visibly Protestant and determined to identify the murderer?faces obstruction at every turn, from the heavily accumulating snow to the culture of silence in the tight-knit community he begins to investigate. As he delves further, he learns the Osbornes are not at all what they seem. And when his own deputy goes missing, Strafford must work to unravel the ever-expanding mystery before the community's secrets, like the snowfall itself, threaten to obliterate everything. Beautifully crafted, darkly evocative and pulsing with suspense, Snow is "the Irish master" (New Yorker) John Banville at his page-turning best.
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      2012., McGill-Queen's University Press Call No: 941.6 M145u   Edition: ed.    Availability:1 of 1     At Your Library Summary Note: From violence in the trenches, to the struggle for independence and the eventual partition of the country, Ireland's cultural history is indelibly marked by the shadow of the Great War. As the war raged on, the nine-county province of Ulster - refashioned in 1921 as the six counties of Northern Ireland - was flooded with images of masculine military heroism. Soldiers, veterans, and paramilitaries became the most visible and potent incarnation of manhood on the streets of Belfast and Derry. In Ulster's Men, Jane McGaughey provides an historical glimpse into the unionist ideals of manliness in Northern Ireland, delving into the power dynamics of political propaganda, military service, fraternal societies, and paramilitary violence. Drawing upon depictions of men found in war diaries, police reports, government documents, and the popular press, McGaughey presents unionist masculinities as far more than the monolithic stereotype of dour austerity and misplaced loyalty. An exploration of the history of gender representation through the mirror of Northern Ireland's tortuous past, Ulster's Men weaves together images of Edwardian heroism, imperial patriotism, the fellowship of men in uniform, and the chaotic hostilities of war.
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      2014., Adult, 210000, Simon & Schuster Audio Call No: CD Fic Tho   Edition: Unabridged.    Availability:1 of 1     At Your Library Summary Note: When Eileen meets Ed Leary, a scientist whose bearing is nothing like those of the men she grew up with, she thinks she's found the perfect partner. They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift.
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      -- We do not know ourselves.
      2022., Adult, Liveright Publishing Corporation, a division of W. W. Norton & Company Call No: Bio O88w   Edition: First American edition.    Availability:1 of 1     At Your Library Summary Note: "A celebrated Irish writer's magisterial, brilliantly insightful chronicle of the wrenching transformations that dragged his homeland into the modern world. Fintan O'Toole was born in the year the revolution began. It was 1958, and the Irish government--in despair, because all the young people were leaving--opened the country to foreign investment and popular culture. So began a decades-long, ongoing experiment with Irish national identity. In We Don't Know Ourselves, O'Toole, one of the Anglophone world's most consummate stylists, weaves his own experiences into Irish social, cultural, and economic change, showing how Ireland, in just one lifetime, has gone from a reactionary "backwater" to an almost totally open society--perhaps the most astonishing national transformation in modern history. Born to a working-class family in the Dublin suburbs, O'Toole served as an altar boy and attended a Christian Brothers school, much as his forebears did. He was enthralled by American Westerns suddenly appearing on Irish television, which were not that far from his own experience, given that Ireland's main export was beef and it was still not unknown for herds of cattle to clatter down Dublin's streets. Yet the Westerns were a sign of what was to come. O'Toole narrates the once unthinkable collapse of the all-powerful Catholic Church, brought down by scandal and by the activism of ordinary Irish, women in particular. He relates the horrific violence of the Troubles in Northern Ireland, which led most Irish to reject violent nationalism. In O'Toole's telling, America became a lodestar, from John F. Kennedy's 1963 visit, when the soon-to-be martyred American president was welcomed as a native son, to the emergence of the Irish technology sector in the late 1990s, driven by American corporations, which set Ireland on the path toward particular disaster during the 2008 financial crisis. A remarkably compassionate yet exacting observer, O'Toole in coruscating prose captures the peculiar Irish habit of "deliberate unknowing," which allowed myths of national greatness to persist even as the foundations were crumbling. Forty years in the making, We Don't Know Ourselves is a landmark work, a memoir and a national history that ultimately reveals how the two modes are entwined for all of us".