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    Search Results: Returned 7 Results, Displaying Titles 1 - 7
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      By Vézina, Caroline
       2022., University Press of Mississippi Call No: NEW QWF 781.62 V597j    Availability:1 of 1     At Your Library Series Title: American made music series.Summary Note: During the formative years of jazz (1890-1917), the Creoles of Color-as they were then called-played a significant role in the development of jazz as teachers, bandleaders, instrumentalists, singers, and composers. Indeed, music penetrated all aspects of the life of this tight-knit community, proud of its French heritage and language. They played and/or sang classical, military, and dance music as well as popular songs and cantiques that incorporated African, European, and Caribbean elements decades before early jazz appeared. In Jazz à la Creole: French Creole Music and the Birth of Jazz, the author describes the music played by the Afro-Creole community since the arrival of enslaved Africans in La Louisiane, then a French colony, at the beginning of the eighteenth century, emphasizing the many cultural exchanges that led to the development of jazz. Caroline Vézina has compiled and analyzed a broad scope of primary sources found in diverse locations from New Orleans to Quebec City, Washington, DC, New York City, and Chicago. Two previously unpublished interviews add valuable insider knowledge about the music on French plantations and the danses Creoles held in Congo Square after the Civil War. Musical and textual analyses of cantiques provide new information about the process of their appropriation by the Creole Catholics as the French counterpart of the Negro spirituals. Finally, a closer look at their musical practices indicates that the Creoles sang and improvised music and/or lyrics of Creole songs, and that some were part of their professional repertoire. As such, they belong to the Black American and the Franco-American folk music traditions that reflect the rich cultural heritage of Louisiana.
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      By Questlove
       2021., 11:00:50, Recorded Books, Inc. Edition: Unabridged.    Connect to this eAudiobook title Summary Note: In MUSIC IS HISTORY bestselling author and Sundance award-winning director Questlove harnesses his encyclopedic knowledge of popular music and his deep curiosity about history to examine America over the past fifty years. MUSIC IS HISTORY focuses on the years 1971 to the present, not only the country's most complex and rewarding half-century when it comes to the ways that pop culture and culturally diverse history intersect and interact, but also the years that overlap with Questlove's own life. MUSIC IS HISTORY moves fluidly from the personal to the political, examining events closely and critically, to unpeel and uncover previously unseen dimensions, and encouraging readers to do the same. Whether he is exploring how Black identity reshaped itself during the blaxploitation era, analyzing the assembly-line nature of disco and its hostility to Black genius, or remembering his own youth as a pop fan and what it taught him about America, Questlove finds the hidden connections in the American tapestry. Complete with playlists organized around personal, playful themes that touch on everything from the relationship of hip-hop to music's past to the secret ingredient in all funk songs, MUSIC IS HISTORY is filled with and informed by Questlove's preferences, perspectives, and particularities. It feels like both a popular history of contemporary America and a conversation with one of music's most influential and unique voices.