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    Search Results: Returned 19 Results, Displaying Titles 1 - 19
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      Ã2018., University of Regina Press Call No: QWF 882.01 A311a    Availability:1 of 1     At Your Library Series Title: Regina collection.Summary Note: "Antigone Undone offers an urgent and mesmerizing account of the creative and destructive power of great art. In 2015 Will Aitken journeyed to Luxembourg for the rehearsals and premiere of Anne Carson's translation of Sophokles' 5th-century BCE tragedy Antigone, starring Juliette Binoche and directed by theatrical sensation Ivo van Hove. In repeatedly watching the play, he became awestruck with the plight of the young woman at the centre of the action. "Look at what these men are doing to me," Antigone cries, expressing the predicament of the dispossessed throughout time. Transfixed by the strange and uncanny power of the play, he finds himself haunted by its protagonist, finally resulting in his own suicidal breakdown. With a backstage view of the action, Aitken illuminates the creative process of Carson, Binoche, and Van Hove and offers a rare glimpse into collaborative genius in action. He also investigates the response to the play by Kierkegaard, Virginia Woolf, Judith Butler, and others who, like him, were moved by its timeless protest against injustice."--
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      -- Anthony and Cleopatra.
      2005, c1980., Ambrose Video Pub. Call No: DVD SHK Fic Antony (1980)    Availability:1 of 1     At Your Library Series Title: Tragedies of William Shakespeare.Summary Note: Octavius Caesar, Marc Antony, and Lepidus form the triumvirate, the three rulers of the Roman Empire. Antony, though married to Fulvia, spends his time in Egypt, living a life of decadence and conducting an affair with Queen Cleopatra. In Antony's absence, Caesar and Lepidus worry about Pompey's increasing strength. Caesar condemns Antony for neglecting his duties as a statesman and military officer. Hearing that his wife, Fulvia, has died and that Pompey is raising an army to rebel against the triumvirate, Antony feels he must return to Rome. Caesar and Antony try to patch up their quarrel through the marriage of Antony to Caesar's sister Octavia. In Egypt, Cleopatra is told that Antony has married and is furious with jealousy. However, when the messenger says that Octavia is not very beautiful, Cleopatra feels confident that she can win Antony back. The triumvirs meet Pompey, who agrees to keep peace in exchange for control of Sicily and Sardinia. When Antony and Octavia leave for Athens, Caesar breaks his truce, wages war against Pompey, and defeats him. After using Lepidus's army to secure a victory, he imprisons Lepidus. Antony learns this with anger; Octavia pleads him to stay friends with her brother. Antony sends her to Rome, then returns to Cleopatra. In Egypt he raises an army to fight Caesar. Antony decides to fight him at sea, although Caesar has the better navy; and he allows Cleopatra to command a ship, ignoring the protests of Enobarbus, his best friend. Enobarbus deserts him and joins Caesar's army, but then in remorse kills himself. Antony's forces lose the battle when Cleopatra's ship flees and Antony's follows, leaving the rest of the fleet vulnerable to attack. Antony swears he will kill Cleopatra, so she sends word that she has committed suicide. Full of grief, Antony commands his attendant to kill him, but the man kills himself instead. Antony then falls on his own sword. Caesar takes Cleopatra prisoner, planning to display her in Rome as a trophy, but she kills herself with the help of several poisonous asps. Caesar has the two lovers buried beside each other.
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      2021., McGill-Queen's University Press Call No: NEW QWF 811.6 V772b    Availability:1 of 1     At Your Library Series Title: Hugh MacLennan poetry series.Summary Note: Bitter in the Belly reckons with suicide's wreckage. After John Emil Vincent's best friend descends into depression and hangs himself, fluency and acuity lose their lustre. Vincent sorts through and tries to arrange cosmologies, eloquence, narrative, insight, only to find fatal limitations. He tries to trick tragedy into revealing itself by means of costume, comedy, thought experiment, theatre of the absurd, and Punch and Judy. The poems progress steadily from the erotic and mythic to the lapidary and biblical, relentlessly constructing images, finding any way to bring the world into the light - what there is of light, when the light is on. In his most personal book, Vincent moves from stark innocence through awful events and losses, to something like acceptance without wisdom - Jonah spit back onto the sand with little to report but that's he's home.
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      2015., Alfred A. Knopf Call No: 882.0109 D652t    Availability:1 of 1     At Your Library Summary Note: For years, theater director Bryan Doerries has led an innovative public health project that produces ancient tragedies for current and returned soldiers, addicts, tornado and hurricane survivors, and a wide range of other at-risk people in society. Drawing on these extraordinary firsthand experiences, Doerries illustrates the redemptive and therapeutic potential of this classical, timeless art.