Search Results: Returned 3 Results, Displaying Titles 1 - 3
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2016., General, Talonbooks Call No: IND 811.54 A139i Availability:1 of 1 At Your Library Summary Note: "Award-winning Nisga'a poet Jordan Abel's third collection, Injun, is a long poem about racism and the representation of indigenous peoples. Composed of text found in western novels published between 1840 and 1950 - the heyday of pulp publishing and a period of unfettered colonialism in North America - Injun then uses erasure, pastiche, and a focused poetics to create a visually striking response to the western genre. After compiling the online text of 91 of these now public-domain novels into one gargantuan document, Abel used his word processor's Find function to search for the word "injun." The 509 results were used as a study in context: How was this word deployed? What surrounded it? What was left over once that word was removed? Abel then cut up the sentences into clusters of three to five words and rearranged them into the long poem that is Injun. The book contains the poem as well as peripheral material that will help the reader to replicate, intuitively, some of the conceptual processes that went into composing the poem. Though it has been phased out of use in our "post-racial" society, the word "injun" is peppered throughout pulp western novels. Injun retraces, defaces, and effaces the use of this word as a colonial and racial marker. While the subject matter of the source text is clearly problematic, the textual explorations in Injun help to destabilize the colonial image of the "Indian" in the source novels, the western genre as a whole, and the Western canon. Jordan Abel is a Nisga'a writer living in Vancouver. He is an editor for Poetry Is Dead magazine and the former editor for PRISM international and Geist. He is the author of The Place of Scraps and Un/inhabited."--Provided by publisher.
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-- Reel Indian.2010., General, Lorber Films Call No: DVD 791.4365 D537r Edition: Letterboxed. Availability:1 of 1 At Your Library Summary Note: Travelling through the heartland of America, Cree filmmaker Neil Diamond examines how the myth of the movie "Injun" has influenced the world's understanding - and misunderstanding - of Natives. With clips from hundreds of classic and recent films, and candid interviews with celebrated Native and non-Native directors, writers, actors and activists, including Clint Eastwood, Robbie Robertson, Sacheen Littlefeather, John Trudell, Charlie Hill and Russell Means, Reel Injun traces the evolution of cinema's depiction of Native people from the silent film era to the present day.