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    Search Results: Returned 12 Results, Displaying Titles 1 - 12
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      2023., Adult, Viking Call No: NEW Bio G475a    Availability:1 of 1     At Your Library Summary Note: Charlotte Gill's father is Indian. Her mother is English. And although they couldn't be more different, they meet in 1960's London when, despite the prevailing image of free love, the world was not ready for interracial love. Their union, a revolutionary act, results in a total meltdown of familial relations, a lot of immigration paperwork, and three children, all in varying shades of tan. Along the way, they venture from the United Kingdom to Canada and to the United States in elusive pursuit of life, liberty, and happiness--a pursuit that eventually tears them apart. Almost Brown is an exploration of diasporic intermingling involving parents of two different races and their half-brown children as they experience the paradoxes and conundrums of life as it's lived between race checkboxes. Eventually, her parents drift apart because they just aren't compatible. Charlotte distances herself from her larger-than-life father too, resulting in 20 years of silence--and, eventually, a complicated reunion. .
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      2007., Between the Lines ; South End Press Call No: BLK 305.896 B627b    Availability:1 of 1     At Your Library Summary Note: The global history of black people cannot be told without addressing powerful geographical shifts: massive forced migration, land dispossession, and legal as well as informal structures of segregation. From the Middle Passage to the "Whites Only" signposts of North American apartheid, the black disaporic experience is rooted firmly in the politics of place. Literature ahs long explored cultural differences in the experience of blackness in different quarters of the diaspora. But what are the real differences between being a maroon in the hills of Jamaica, a fugitive slave in Chatham, Ontario, and a runaway in the swamps of Florida? How does location impact repression and resistance, both on the ground and in the terrain of political imagination? Enter Black Geographies. In this path-breaking collection, twelve authors interrogate the intersections between space and race. For instance, some scholars, activists, and communities have sought to protect, restore, and reimagine black historical sites. Yet each of these locations has in common acts of racial hatred and state terrorism that have erased black geographies, leaving few historical structures standing. This begs the question: Can preserving and restoring such sites promote social justice and spur community redevelopment?Black geographies-invisible and visible, past and present-pose revealing questions about the politics, and possibilities, of place. (From book cover.)
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      2022., Fernwood Publishing Call No: NEW IND QWF 362.1089 M91c    Availability:1 of 1     At Your Library Summary Note: Country of Poxes is the story of land theft in North America through three diseases: syphilis, smallpox, and tuberculosis. These infectious diseases reveal that medical care, widely considered a magnanimous cornerstone of the Canadian state, developed in lockstep with colonial control over Indigenous land and life. Pathogens are storytellers of their time. The 500 year-old debate over the origins of syphilis reflects colonial judgments of morality and sexuality that became formally entwined in medicine. Smallpox is notoriously linked with the project of land theft, as colonizers destroyed Indigenous land, economies and life in the name of disease eradication. And tuberculosis, considered the "Indian disease," aroused intense fear of contagion that launched separate systems of care for Indigenous peoples in a de facto medical apartheid, while white settlers retreated to sanatoria in the Laurentians and Georgian Bay to be cured from the disease. In this immersive and deeply reflective book, physician and activist Dr. Baijayanta Mukhopdhyay provides riveting insights into the biological and social relationships of disease and empire. Country of Poxes considers the future of health in Canada that heeds redress and healing for nations brutalised by the Canadian state.
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      2018., Houghton Mifflin Harcourt Call No: BLK Bio Y68l    Availability:1 of 1     At Your Library Summary Note: The quest, funny and searing, of a young man black man learning to shoot-a fascinating odyssey into race, guns, and self-protection in America The most RJ Young knew about guns was that they could get him killed. Until, recently married to a white woman and in desperate need of a way to relate to his gun-loving father-in-law, Young does the unimaginable: he accepts Charles's gift of a Glock. Despite, or because of, the racial rage and fear he experiences among white gun owners (Ain't you supposed to be shooting a basketball?"), Young determines to get good, really good, with a gun. Let It Bang is the compelling story of the author's unexpected obsession-he eventually becomes an NRA-certified pistol instructor-and of his deep dive into the heart of America's gun culture: what he sees as the domino effect of white fear, white violence, black fear, rinse, repeat. Young's original reporting on shadow industries like US Law Shield, which insures and defends people who report having shot someone in self-defense, and on the newly formed National African American Gun Association, gives powerful insight into the dynamic. Through indelible profiles, Young brings us up to the current rocketing rise in gun ownership among black Americans, most notably women. Let It Bang is an utterly original look at American gun culture from the inside, and from the other side-and, most movingly, the story of a young black man's hard-won nonviolent path to self-protection.
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      2019., Adult, Doubleday Canada Call No: IND 971.00497 E46a    Availability:1 of 1     At Your Library Summary Note: A personal and critical meditation on trauma, legacy, oppression and racism in North America. In a work that asks essential questions about Native people in North America while drawing on intimate details of her own life and experience with intergenerational trauma, Alicia Elliott offers indispensable insight and understanding to the ongoing legacy of colonialism. What are the links between depression, colonialism and loss of language--both figurative and literal? How does white privilege operate in different contexts? How do we navigate the painful contours of mental illness in loved ones without turning them into their sickness? How does colonialism operate on the level of literary criticism? A Mind Spread Out on the Ground is Alicia Elliott's attempt to answer these questions and more. In the process, she engages with such wide-ranging topics as race, parenthood, sexuality, love, mental illness, poverty, sexual assault, gentrification, writing and representation. Elliott makes connections both large and small between the past and present, the personal and political--from overcoming a years-long history with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft dinner to how systematic oppression is linked to depression in Native communities. Elliott extends far beyond her own experiences to provide a look at our past, a portrait of our present and a tool for a better future.
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      c2011., General, Pantheon Call No: BLK 973.932 K36p   Edition: 1st ed.    Availability:1 of 1     At Your Library Summary Note: The author gives us shrewd and keen essays on the complex relationship between "the first black president" and his African-American constituency. The Persistence of the Colorline tackles hot-button issues: the nature of racial opposition to Obama; whether Obama has any special responsibility to African-Americans; the increasing irrelevance of traditional racial politics and the consequences thereof; electoral politics and cultural chauvinism; black patriotism and its antithesis (essentialism and rebellion); differences between Obama's presentation of himself to blacks and whites and the challenges posed by the dream of a post-racial society; the far from simple symbolism of Obama as leader of the Joshua generation in a country that has elected only three black senators and two black governors. Randall Kennedy, eschewing the critical excesses of both the left and the right, offers a gimlet eyed view of Obama's triumphs and travails, his strengths and weaknesses, as they pertain to the troubled history of race in America.
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      -- Anatomy of race and belonging.
      2020., Adult, Random House Canada Call No: BLK Bio M478s    Availability:1 of 1     At Your Library Summary Note: "Tessa McWatt has been called Susie Wong, Pocahontas and "black bitch," and has been judged not black enough by people who assume she straightens her hair. Now, through a close examination of her own body--nose, lips, hair, skin, eyes, ass, bones and blood--which holds up a mirror to the way culture reads all bodies, she asks why we persist in thinking in terms of race today when racism is killing us. Her grandmother's family fled southern China for British Guiana after her great uncle was shot in his own dentist's chair during the First Sino-Japanese War. McWatt is made of this woman and more: those who arrived in British Guiana from India as indentured labour and those who were brought from Africa as cargo to work on the sugar plantations; colonists and those whom colonialism displaced. How do you tick a box on a census form or job application when your ancestry is Scottish, English, French, Portuguese, Indian, Amerindian, African and Chinese? How do you finally answer a question first posed to you in grade school: "What are you?" And where do you find a sense of belonging in a supposedly "post-racial" world where shadism, fear of blackness, identity politics and call-out culture vie with each other noisily, relentlessly and still lethally? Shame on Me is a personal and powerful exploration of history and identity, colour and desire from a writer who, having been plagued with confusion about her race all her life, has at last found kinship and solidarity in story." --Provided by publisher.
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      -- Reconstruction, white supremacy, and the rise of Jim Crow.
      2019., Adult, Penguin Press Call No: BLK 973.04 G259s    Availability:1 of 1     At Your Library Summary Note: A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring racist stain on the American mind. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the 'nadir' of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance. Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark colour line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combated it by articulating a vision of a "New Negro" to force the nation to recognise their humanity and unique contributions to America as it hurtled toward the modern age. .
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      2022., Linda Leith Publishing Call No: NEW 305.9 D779w    Availability:1 of 1     At Your Library Summary Note: "Ungrateful, opportunistic, moochers, dangerous, incompatible with our values and our way of life... Every immigrant demographic has heard these descriptors at some point in their migration history. We, the Others explores the xenophobia, ethno-nationalism, and the fear of the "other" that is at the root of the belief that immigration is a polluting force. Gleaned from the author's personal family history as the second-generation daughter of Greek immigrants, and from her research as a journalist and columnist covering identity politics and social issues in Quebec and Canada for the past 20 years, We, the Others courageously tackles this country's history and practices, divisive legislation like Bill 21, and various nationalist movements that have influenced our immigration policies. It is also a poignant look at inter-generational struggles, conflicting loyalties and heartfelt questions of belonging."--.