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    Search Results: Returned 8 Results, Displaying Titles 1 - 8
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      2016., Dundurn Call No: QWF Fic Bou    Availability:1 of 1     At Your Library Summary Note: "At fifty years of age, Roman Carr, whose real name is Romain Carrier, has made it. His television series, 'In Gad We Trust, ' a scathing satire of the United States and its relationship with God, is a huge hit. He is carving out an enviable place for himself in Hollywood, the end of a long, tortuous journey for the man who fled his Gaspé Peninsula village in murky circumstances back in 1962. Both a coming-of-age story and a historical epic, [this title] is a chronicle of the great American Sixties. It recaptures the extraordinary liberation movements and social unrest that marked that era, and vividly conveys the irrepressible idealism that carried along a whole generation. It is a celebration of the supreme good that the United States hoped to achieve: the coming of everyone's right to be free."--Amazon.com.
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      2013., McGill-Queen's University Press Call No: QWF Bio B729g    Availability:1 of 1     At Your Library Series Title: McGill-Queen's/Beaverbrook Canadian Foundation studies in art history.Summary Note: From his beginnings as a rural church decorator, to his role as catalyst of the social and artistic manifesto the Refus global, to a career as Canada's pre-eminent practitioner of radical abstraction abroad, Paul-Émile Borduas's short life encompassed the reversals and contradictions of the modern condition. Drawing on a lifetime of published research, François-Marc Gagnon's comprehensive biography is a far-reaching exploration of a Quebec cultural figure renowned for both his art and his thought. Gagnon details each period of Borduas's dynamic career - his apprenticeship with Ozias Leduc, his teaching in Montreal and the role within the Automatiste group, his move to New York at the height of the Abstract Expressionist movement, and then, against the current of the times, to Paris, where he created the iconic images of his "cosmic" period. Borduas's relentless search for an authentic art often put him at odds with his surroundings. As an avant-garde artist in a Montreal art world bound by tradition, his most important work had to be exhibited in makeshift venues; as a surrealist-influenced francophone in New York, he recognized the importance of the major figures of Abstract Expressionism but maintained an independent style and method. A full appreciation of Borduas's radical stance - an artistic and intellectual orientation that was always towards the universal - transforms a Canadian cultural landscape where the narrative of artistic modernism centres on figurative landscape art. An original and rigorously researched work, Paul-Émile Borduas: A Critical Biography provides an English-language readership with a much-needed understanding of a seminal modernist, an exemplary figure in Canadian art, and the origins of modern art in North America.
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      2017., Oneworld Publication Call No: Fic The    Availability:1 of 1     At Your Library Summary Note: Tania moves from Bavaria to Montreal to fine-tune her French and fall in love. Finding work as a waitress at a low-key restaurant in a working-class area of the city, she meets Bilodo, a shy postman who writes haiku and who is passionate about calligraphy. The two hit it off but then one stormy day their lives take a dramatic turn, and as their destinies become increasingly entwined the two are led into a world where nothing is as it seems.
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      -- Rock and radio.
      [2017], Véhicule Press Call No: QWF 782.42 H847w    Availability:1 of 1     At Your Library Summary Note: "Rock'n'Radio illustrates that Montreal was at the epicentre of the rock radio revolution in Canada, eventually attracting talented DJs from the U.S., Canada and the U.K. Their personal stories and the inevitable collision with the power of alternative FM rock radio in the late 60s take the reader through some of the best rock music recorded and the social changes that percolated in the background. The period 1926 to 1949 can be considered the Golden Age of radio when it was the heart of the North American family. Much to everyone's surprise, it survived the incursion of television to live another Golden Age, the 1960s and 1970s when rock 'n' roll music seeped its way onto mainstream radio, pushing aside Perry Como and the Dorsey Brothers for Elvis and The Beatles. The new golden era of radio spawned what would eventually be called Top 40 AM radio, whose premise was built on the philosophy: play all the hits, then play them again. Pioneer Top 40 DJs like Alan Freed in the U.S., widely recognized as the man who coined the phrase "rock 'n' roll," spawned a new breed of radio personalities, the fast-talking salesman who delivered the goods. Hundreds of radio stations in North American gave up their entire programming day over to rock music. And with that came a legion of young, hungry top 40 DJs such as Dave Boxer, Ralph Lockwood and Doug Pringle, looking for jobs at stations across Canada."--