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    Search Results: Returned 6 Results, Displaying Titles 1 - 6
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      2018., BookThug Call No: QWF 700.92 W945a    Availability:1 of 1     At Your Library Summary Note: Authenticity is a Feeling: My Life in PME-ART is a compelling hybrid of history, memoir, and performance theory. It tells the story of the interdisciplinary performance group PME-ART and their ongoing endeavour to make a new kind of highly collaborative theatre dedicated to the fragile but essential act of "being yourself in a performance situation." Written, among other things, to celebrate PME-ART's twentieth anniversary, the book begins when Jacob Wren meets Sylvie Lachance and Richard Ducharme, moves from Toronto to Montreal to make just one project, but instead ends up spending the next twenty years creating an eccentric, often bilingual, art. It is a book about being unable to learn French yet nonetheless remaining co-artistic director of a French-speaking performance group, about the Spinal Tap-like adventures of being continuously on tour, about the rewards and difficulties of intensive collaborations, about making performances that break the mold and confronting the repercussions of doing so. A book that aims to change the rules for how interdisciplinary performance can be written about today.
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      2021., HarperCollins Publishers Inc. Edition: Unabridged.    Connect to this eAudiobook title Summary Note: There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father's Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity. But... No one ever fully recovers from their past. There is no cure for it. You just learn to manage and prioritize it. I believe the second you feel you have triumphed or overcome something ? an abuse, an injury to the body or the mind, an addiction, a character flaw, a habit, a person ? you have merely decided to stop being vigilant and embraced denial as your modus operandi. And that is what this book is about, and for: to remind you not to buy in to the Hollywood ending. Ironically maybe, much of Baggage chronicles my life in Hollywood and how, since I recovered from a nervous breakdown at 28, work has repeatedly whisked me away from personal calamities to sets and stages around the world. It is also about marriage(s): starting with the break-up of my first (to a woman) and ending with the ascension to my second (to a man) with many kissed toads in between! But in everything, each failed relationship or encounter with a legend (Liza! X Men! Gore Vidal! Kubrick! Spice Girls!), in every bad decision or moment of sensual joy I have endeavored to show what I have learned and how I've become who I am today: a happy, flawed, vulnerable, fearless middle-aged man, with a lot of baggage.
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      2020., 01:27:18, Author's Republic Edition: Unabridged.    Click to access digital title.     Summary Note: Heroine is based on the true story of Danna Davis and her 10 years in the US Army. A survivor of military sexual trauma, hers is a human story exploring healing, forgiveness and what speaking your truth really means - with grit, lyricism and necessary black humour. On a dangerous mission inside a combat zone, Sgt Davis must work with the perpetrator of her sexual attack to get her squad home safely. Is peace possible? This audiobook is more of a fully realised radio drama, with FULLY IMMERSIVE SOUND DESIGN from sound designer and foley artist Heather Andrews, and narration from Audie Award Winning narration Mary Jane Wells. Heroine began as Wells' award-winning solo performance, winning a Scottish Theatre Arts Trust Award and a Made in Scotland Award on its World Premiere at Assembly Rooms, in The Edinburgh Festival 2018. Heroine's USA debut was at The Kennedy Center, Washington DC, in February 2020. More details are at www.heroinetheplay.com, including reviews and press. This story contains triggers, strong language, depictions of sexual violence and graphic content. It is a fully realised story, but not without the humour that makes Danna a fully rounded person, who refuses to be a figure of tragedy. Its intention is to bring listeners into the heart of Danna's full experience frankly and responsibly to give her account the honesty and dignity it deserves, and the intention is to tell her story in all its colours. Woven deep into the fabric of Heroine is the rubric that "It is not the event that has the power to define your life, but the story you choose to tell about it."
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      2015., Douglas & McIntyre Call No: IND 704.0397 T238m   Edition: ed.    Availability:1 of 1     At Your Library Summary Note: While First Nations cultural practice still honours traditional forms, contemporary indigenous artists have diversified into many areas. The fourteen contributors whose essays make up Me Artsy pursue such varied disciplines as filmmaking, gourmet cuisine, blues piano, fashion design, acting, writing and painting as well as traditional drumming and storytelling. Their concerns include the eternal ones that occupy artists everywherehow does one get started, where do you find inspiration, how does one make a living. What makes Me Artsy special is that all these concerns are always overlaid with an awareness of First Nations identity.The essays explore many common themes around the role of art in First Nations communities, including the importance of art for creating social change, the role of art in representing Native culture and the fusion of traditional and contemporary techniques. On a more personal level, the essays describe the significance of art in the lives of the contributors, along with their sometimes unlikely journeys to success, stories that are often touched with humour and humility.Chef David Wolfman describes gruelling years in the kitchens of the exclusive National Club; filmmaker Zacharias Kunuk discusses leaping into his first feature film without knowing how to finance it; and playwright Drew Hayden Taylor tells the story of putting a bullet through his first play and burying it in his yard.Other contributors include actor/playwright Monique Mojica, painter Marianne Nicolson, fashion designer Kim Picard, painter Maxine Noel, blues pianist Murray Porter, scholar Karyn Recollet, dancer/choreographer Santee Smith, director/actor Rose Stella, traditional drummer Steve Teekens, writer and storyteller Richard Van Camp and manga artist Michael Nicoll Yahgulanaas.