Search Results: Returned 12 Results, Displaying Titles 1 - 12
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-- Palazzo pubblico, Siena1994., George Braziller Call No: 759.5 S795a Availability:1 of 1 At Your Library
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c2006., National Gallery of Art ; Kunsthistorisches Museum, in association with Yale University Press, New Haven and London Call No: 759.531 B878b Availability:1 of 1 At Your Library
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1998., The Metropolitan Museum of Art : Distributed by H.N. Abrams Call No: Bio D724h Availability:1 of 1 At Your Library Summary Note: The court of Ferrara was a leading centre of Renaissance art in the 16th century, and Dosso Dossi was its greatest and most idiosyncratic painter. Published to accompany a 1999 US exhibition of Dosso's work, this book examines nearly all his surviving paintings - mythological, literary and religious. While Dosso learned much from his contemporaries Titian, Raphael and Michelangelo, he developed a unique style marked by imagination, sensual delight and sharp wit. Each painting is reproduced and discussed in detail, and essays probe the artist's career and the visual poetry of his works, and present documentary information as well as technical analyses of his innovative working methods.
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2017., General, Simon & Schuster Call No: Bio V767i Edition: First Simon & Schuster hardcover edition. Availability:1 of 1 At Your Library Summary Note: "He was history's most creative genius. What secrets can he teach us? The author of Steve Jobs, Einstein, and Benjamin Franklin brings Leonardo da Vinci to life in this exciting biography. Based on thousands of pages from Leonardo's astonishing notebooks and new discoveries about his life and work, Walter Isaacson weaves a narrative that connects his art to his science. He shows how Leonardo's genius was based on skills we can improve in ourselves, such as passionate curiosity, careful observation, and an imagination so playful that it flirted with fantasy. He produced the two most famous paintings in history, The Last Supper and the Mona Lisa. But in his own mind, he was just as much a man of science and technology. With a passion that sometimes became obsessive, he pursued innovative studies of anatomy, fossils, birds, the heart, flying machines, botany, geology, and weaponry. His ability to stand at the crossroads of the humanities and the sciences, made iconic by his drawing of Vitruvian Man, made him history's most creative genius"--Provided by publisher.
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-- Michelangelo and the pope's ceiling.2003., Thorndike Press Call No: LP 759.5 M623k Edition: Large print ed. Availability:1 of 1 At Your Library Series Title: Thorndike Press large print basic series
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c1976., Harper & Row Call No: 759.03 M515p Edition: 1st ed. Availability:1 of 1 At Your Library Series Title: Icon editions.
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c1968., Macmillan Call No: 759.5 D357h Edition: 1st American ed. Availability:1 of 1 At Your Library
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1968., University of California Press Call No: 751.73 S389v Availability:1 of 1 At Your Library Series Title: California studies in the history of art Volume: 9.