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    Search Results: Returned 6 Results, Displaying Titles 1 - 6
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      -- Nineteen twenties modernism in Montreal - The Beaver Hall Group
      2015., General, Montreal Museum of Fine Arts ; Black Dog Publishing Call No: NEW 759.11 B759m    Availability:1 of 1     At Your Library Summary Note: Taking their name from the downtown street in Montreal where members shared a studio in the early 1920s, The Beaver Hall Group were early adopters of new modernistic approaches to painting and explored their potential within a variety of genres, including portrait, still life, landscape and prescient scenes of urbanity. As well as providing an artistic window into the modern lives of Canadians during this transformational period of history, as a collective The Beaver Hall Group are exceptional for their inclusion of female artists as core members. Initially comprising of both genders, the group would become an all-female collective that includes some of Canada's most celebrated modern painters. Through a series of comprehensive contextual essays The Beaver Hall Group: 1920s Modernism in Montreal interweaves the work of this pioneering artistic collective within a broader narrative of the arts in the first half of the twentieth century. Exploring the groups' greater role in the modernity of Canada--and more specifically the cultural context of Montreal--the book takes on core themes such as the rise of the metropolis, juxtapositions between economic progress and cultural development, and the impact of gender on critical approaches to both artists and their work.
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      2017., Arthur Fineberg Call No: 751.73 F495m    Availability:1 of 1     At Your Library Summary Note: Montreal’s Street Art Gallery; The Best of the City’s Graffiti and Wall-Art and its French translation, Montréal, galerie à ciel ouvert; le meilleur des graffitis et des murals en ville, by Archie Fineberg showcase the work of many talented artists, both amateur and formally trained. The books feature more than 140 high definition, full-colour images of works created primarily with spray paint and brush, as well as mosaic and ceramic tile, paper, wood, abstract sculpture and knitting yarn. All the pictures are accompanied by captions that provide the title of the works, their location and the artist(s) who created it. An essay that elaborates on a specific aspect of this genre of art begins each of the nine sections.