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    Search Results: Returned 11 Results, Displaying Titles 1 - 11
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      2021., Dey St. Call No: SC Bio C971b   Edition: First edition.    Availability:1 of 1     At Your Library Summary Note: "With the release of his first memoir, Not My Father's Son, Alan Cumming felt the power that came with sharing his truth. Shocking fans and readers with the reality of his childhood trauma, Not My Father's Son was a #1 New York Times bestseller and universally landed for its searing honesty and the way in which Alan relentlessly sought answers to questions about his family and his past. And, as an added and perhaps unexpected benefit, he inspired others to engage with their own sources of pain. Alan found that his words were powerful, that his authenticity was a clarion call. But behind the fun-loving, happy persona is the truth of Alan's life, a truth he shares in Baggage. The message that comes through time and time again in this wise and witty second memoir is that the past is not something to forget or 'get over.' Alan hasn't miraculously healed from the trauma of his father's abuse. His life today is one where he artfully manages what happened to him, even as it still haunts. In a series of episodes that are bookended by two marriages, the ending of his first to his wife, and the start of his second to his husband, Baggage charts Alan's unique and wonderful career onstage and onscreen and all the times that Hollywood has, since his nervous breakdown at the age of twenty-eight, swooped into his life to whisk him away from all sorts of calamity or moments of personal destruction. Populated by marquee names (Liza! Faye Dunaway! Gore Vidal! X-Men! Kubrick! The Spice Girls!) and moments of hilarity, heartbreak, bad decisions, bold moves, but always authenticity, Alan Cumming reveals himself as entirely human -- a happy, flawed, vulnerable, fearless middle-aged man, with a lot of baggage. An entertaining, but entirely thoughtful, memoir of a man who embraces both the darkness and the light, Baggage is a true delight from start to finish." --
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      2021., Riverhead Books Call No: BLK Bio E53d    Availability:1 of 1     At Your Library Summary Note: "A full-throated and provocative memoir in letters from the New York Times-bestselling author of The Death of Vivek Oji, "a dazzling literary talent whose works cut to the quick of the spiritual self" (Esquire). "I want to write as if I am free," Akwaeke Emezi declares in the opening of this utterly original spiritual and creative memoir. In the novels Freshwater and The Death of Vivek Oji, Emezi introduced the landscape of Nigerian childhood through the medium of fiction. Now, the award-winning author lifts the veil of invention to reveal the harrowing yet inspiring truths of their personal, spiritual, and artistic journey--from the social constraints of childhood in Aba, Nigeria, through a lifetime of discoveries involving sexuality, storytelling, and self, to their determination to carve their way through the thorny labyrinth of the publishing world. Interweaving candid, intimate letters to friends, lovers, and family, Emezi reveals the raw pain of their journey as a spirit in the human world, the perils of all-consuming love and intimacy, and the hard-earned reward of achieving both literary recognition and a peaceful, joyous home. Electrifying and radically honest, animated by the same voracious intelligence that distinguishes their fiction, Dear Senthuran is a revelatory account of what it means to embody multiple spirits, to fight for survival, and to bend the world to one's will"--
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      2023., AU Press Call No: NEW IND Bio W592i    Availability:1 of 1     At Your Library Summary Note: Evolving from a conversation between Joshua Whitehead and Angie Abdou, Indigiqueerness is part dialogue, part collage, and part memoir. Beginning with memories of his childhood poetry and prose and travelling through the library of his life, Whitehead contemplates the role of theory, Indigenous language, queerness, and fantastical worlds in all his artistic pursuits. This volume is imbued with Whitehead's energy and celebrates Indigenous writers and creators who defy expectations and transcend genres.
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      -- Lost and found :
      2022., Adult, Bond Street Books Call No: Bio S389l    Availability:1 of 1     At Your Library Summary Note: A Pulitzer Prize-winning New Yorker writer tells the story of losing her father and finding the love of her life in this profound meditation on grief and joy. Eighteen months before her beloved father died, Kathryn met Casey, the woman who would become her wife. Lost & Found weaves together their love story with Kathryn's story of losing her father in a brilliant exploration of the way families are lost and found and the ways life dispenses wretchedness and suffering, beauty and grandeur all at once. So much has been written about loss--and Schulz writes with painful clarity about the vicissitudes of grieving her father--but here she writes about the vital phenomenon of finding. The book is organized into three parts: "Lost," which explores the sometimes comic, sometimes frustrating, sometimes heartbreaking experience of losing things, grounded in Kathryn's account of her father's death; "Found," which examines the experience of discovery, from new ideas to new planets, grounded in her story of falling in love; and finally, "And," which contends with the way these events happen in conjunction and imply the inevitable: life keeps going on, not only around us but beyond us and after us. Kathryn Schulz has the ability to measure the depth and breadth of human experience with unusual exactness--she articulates the things all of us feel but have been unable to put into language. Lost & Found is a work of philosophical interrogation as well as a story about life, death and the discovery of one great love just as another is being lost.
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      2022., Adult, Alfred A. Knopf Canada Call No: NEW IND Bio W592m    Availability:1 of 1     At Your Library Summary Note: In the last few years, following the publication of his debut novel Jonny Appleseed, Joshua Whitehead has emerged as one of the most exciting and important new voices on Turtle Island. Now, in this first non-fiction work, Whitehead brilliantly explores Indigeneity, queerness, and the relationships between body, language and land through a variety of genres (essay, memoir, notes, confession). Making Love with the Land is a startling, heartwrenching look at what it means to live as a queer Indigenous person "in the rupture" between identities. In sharp, surprising, unique pieces--a number of which have already won awards--Whitehead illuminates this particular moment, in which both Indigenous and non-Indigenous peoples are navigating new (and old) ideas about "the land." He asks: What is our relationship and responsibility towards it? And how has the land shaped our ideas, our histories, our very bodies? Here is an intellectually thrilling, emotionally captivating love song--a powerful revelation about the library of stories land and body hold together, waiting to be unearthed and summoned into word.
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      2018., Metonymy Press Call No: IND Bio N736n   Edition: First edition.    Availability:1 of 1     At Your Library Summary Note: "This book is about relatedness. Using a form of generative refusal towards western writing practices, the text works with the idea of kinship that derives from the author's Plains Cree and other kinship teachings. It also examines how queer kin were some of their first experiences of reciprocal relationality and care"--
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      2023., Adult, HarperCollins Call No: NEW Bio P132p    Availability:1 of 1     At Your Library Summary Note: 'Pageboy' is a groundbreaking coming-of-age memoir from the Academy Award-nominated actor Elliot Page. A generation-defining actor and one of the most famous trans advocates of our time, Elliot will now be known as an uncommon literary talent, as he shares never-before-heard details and intimate interrogations on gender, love, mental health, relationships, and Hollywood. Page was born in Halifax, NS.
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      2021., Adult, Houghton Mifflin Harcourt Call No: NEW BLK Bio B871p    Availability:1 of 1     At Your Library Summary Note: Punch Me Up to the Gods introduces a powerful new talent in Brian Broome, whose early years growing up in Ohio as a dark-skinned Black boy harboring crushes on other boys propel forward this gorgeous, aching, and unforgettable debut. Brian’s recounting of his experiences—in all their cringe-worthy, hilarious, and heartbreaking glory—reveal a perpetual outsider awkwardly squirming to find his way in. Indiscriminate sex and escalating drug use help to soothe his hurt, young psyche, usually to uproarious and devastating effect. A no-nonsense mother and broken father play crucial roles in our misfit’s origin story. But it is Brian’s voice in the retelling that shows the true depth of vulnerability for young Black boys that is often quietly near to bursting at the seams. Cleverly framed around Gwendolyn Brooks’s poem “We Real Cool,” the iconic and loving ode to Black boyhood, Punch Me Up to the Gods is at once playful, poignant, and wholly original. Broome’s writing brims with swagger and sensitivity, bringing an exquisite and fresh voice to ongoing cultural conversations about Blackness in America.
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      2022., 13:47:39, Random House Audio Edition: Unabridged.    Click to access digital title.     Summary Note: “There is nothing stronger than a broken woman who has rebuilt herself,” Hannah Gadsby declared in her show Nanette, a scorching critique of the way society conducts public debates about marginalized communities. When it premiered on Netflix, it left audiences captivated by her blistering honesty and her singular ability to take them from rolling laughter to devastated silence. Ten Steps to Nanette continues Gadsby’s tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time. Gadsby grew up as the youngest of five children in an isolated town in Tasmania, where homosexuality was illegal until 1997. She perceived her childhood as safe and “normal,” but as she gained an awareness of her burgeoning queerness, the outside world began to undermine the “vulnerably thin veneer” of her existence. After moving to mainland Australia and receiving a degree in art history, Gadsby found herself adrift, working itinerant jobs and enduring years of isolation punctuated by homophobic and sexual violence. At age twenty-seven, without a home or the ability to imagine her own future, she was urged by a friend to enter a stand-up competition. She won, and so began her career in comedy. Gadsby became well known for her self-deprecating, autobiographical humor that made her the butt of her own jokes. But in 2015, as Australia debated the legality of same-sex marriage, Gadsby started to question this mode of storytelling, beginning work on a show that would become “the most-talked-about, written-about, shared-about comedy act in years” (The New York Times). Harrowing and hilarious, Ten Steps to Nanette traces Gadsby’s growth as a queer person, to her ever-evolving relationship with comedy, and her struggle with late-in-life diagnoses of autism and ADHD, finally arriving at the backbone of Nanette: the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling.