Search Results: Returned 4 Results, Displaying Titles 1 - 4
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c1995., Random House Call No: Bio R8243k Edition: 1st ed. Availability:1 of 1 At Your Library Summary Note: "Magazines are about eighty-five percent luck," Harold Ross told George Jean Nathan. "I was about the luckiest son of a bitch alive when I started The New Yorker." Ross was certainly lucky back in 1925, but he was smart, too. When such unknown young talents as E. B. White, James Thurber, Janet Flanner, Helen Hokinson, Wolcott Gibbs, and Peter Arno turned up on his doorstep, he knew exactly what to do with them. So was born what many people consider the most urbane and groundbreaking magazine in history. Thomas Kunkel has written the first comprehensive biography of Harold W. Ross, the high school dropout and Colorado miner's son who somehow blew out of the West to become a seminal figure in American journalism and letters, and a man whose story is as improbable as it is entertaining. The author follows Ross from his trainhopping start as an itinerant newspaperman to his editorship of The Stars and Stripes, to his role in the formation of the Algonquin Round Table, to his audacious and near-disastrous launch of The New Yorker. For nearly twenty-seven years Ross ran the magazine with a firm hand and a sensitivity that his gruff exterior belied. Whether sharpshooting a short story, lecturing Henry Luce, dining with the Duke of Windsor, or playing stud poker with one-armed railroad men in Reno, Nevada, he revealed an irrepressible spirit, an insatiable curiosity, and a bristling intellect - qualities that, not coincidentally, characterized The New Yorker. Ross demanded excellence, venerated talent, and shepherded his contributors with a curmudgeonly pose and an infectious sense of humor. "l am not God," he once informed E. B. White. "The realization of this came slowly and hard some years ago, but l have swallowed it by now. l am merely an angel in the Lord's vineyard." Through the years many have wondered how this unlikely character could ever have conceived such a sophisticated enterprise as The New Yorker. But after reading this rich, enchanting, impeccably researched biography, readers will understand why no one but Ross could have done it.
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By Wells, Gully2011., Alfred A. Knopf Call No: Bio W453h Edition: 1st ed. Availability:1 of 1 At Your Library Summary Note: "Set in Provence, London, and New York: a daughter's wonderfully evocative and witty memoir of her mother and stepfather--Dee Wells, the glamorous and rebellious American journalist, and A. J. Ayer, the celebrated and worldly Oxford philosopher--and the life they lived at the center of absolutely everything. Gully Wells takes us into the heart of London's liberated intellectual inner circle of the 1960s. Here are Alan Bennett, Isaiah Berlin, Iris Murdoch, Bertrand Russell, Jonathan Miller, Martin Amis, Christopher Hitchens, Robert Kennedy, and later in New York Mayor Lindsay and Mike Tyson . . . her mother as a television commentator earning a reputation for her outspoken style and progressive views . . . her stepfather, an icon in the world of twentieth-century philosophy, proving himself as prodigious a womanizer as he was a thinker. And throughout, there is La Migoua, the house in France, on a hill between Toulon and Marseilles, where her parents and their friends came together and where Gully herself learned some of the long-lasting lessons of a life well-lived. A dazzling portrait of a woman who 'caught the spirit of the sixties' and one of the most important intellectual figures of the twentieth century, drawn from the vivid memory of the child who adored them both"--Provided by publisher.
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2008., Simon & Schuster Paperbacks Call No: Bio C311n Availability:1 of 1 At Your Library Summary Note: "In one sense, my story is a common one, a white boy misdemeanant who lands in a ditch and is restored to sanity through the love of his family, a God of his understanding and a support group that will go unnamed. But if the whole truth is told, it does not end there. "The book will be fundamentally different than a tell-all, or more commonly, tell-most. It will be a rigorously clear-eyed reported memoir in which the process of discovery will be part of the narrative motor...For instance, my brother asked if I was going to give him credit for bailing me out after I was arrested for possession of pot as an 18-yr.-old in a Wisconsin state park. I had not even remembered the incident. "You remember the story you can live with, not the one that happened."
