Search Results: Returned 7 Results, Displaying Titles 1 - 7
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1995., Hill and Wang Call No: 940.5318 K64k Edition: A new, expanded ed. Availability:1 of 1 At Your Library
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2018., Scribner Call No: Bio E29c Edition: First Scribner trade paperback edition 2018. Availability:1 of 1 At Your Library Summary Note: "At the age of sixteen, Edith Eger, a trained ballet dancer and gymnast, was sent to Auschwitz. Hours after her parents were killed, the 'Angel of Death, ' Nazi officer Dr. Josef Mengele, forced Edie to dance for his amusement--and her survival. He rewarded her with a loaf of bread that she shared with her fellow prisoners--an act of generosity that would later save her life. Edie and her sister survived multiple death camps and the Death March. When the American troops liberated the camps in 1945 they found Edie barely alive in a pile of corpses. Edie spent decades struggling with flashbacks and survivor's guilt, determined to stay silent and hide from the past ... Today, at ninety years old, Edie is a renowned psychologist and speaker who specializes in treating patients suffering from traumatic stress disorders. She ... weaves her remarkable personal account of surviving the Holocaust and overcoming its ghosts of anger, shame, and guilt with the moving stories of those she has helped heal. She explores how we can be imprisoned in our own minds and shows us how to find the key to freedom ..."--Jacket.
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1994., Anchor Books Call No: 940.5318 L533i Edition: 1st Anchor Books ed. Availability:1 of 1 At Your Library
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-- Maus II.1991., Pantheon Books Call No: GN 940.53 S755m2 Availability:1 of 1 At Your Library Summary Note: A memoir of Vladek Spiegleman, a Jewish survivor of Hitler's Europe, and about his son, a cartoonist who tries to come to terms with his father, his story, and history. Cartoon format portrays Jews as mice, Nazis as cats. Using a unique comic-strip-as-graphic-art format, the story of Vladek Spiegelman's passage through the Nazi Holocaust is told in his own words. Acclaimed as a "quiet triumph" and a "brutally moving work of art," the first volume of Art Spiegelman's Maus introduced readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and History itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. As the New York Times Book Review commented," [it is] a remarkable feat of documentary detail and novelistic vividness...an unfolding literary event." This long-awaited sequel, subtitled And Here My Troubles Began, moves us from the barracks of Auschwitz to the bungalows of the Catskills. Genuinely tragic and comic by turns, it attains a complexity of theme and a precision of thought new to comics and rare in any medium. Maus ties together two powerful stories: Vladek's harrowing tale of survival against all odds, delineating the paradox of daily life in the death camps, and the author's account of his tortured relationship with his aging father. Vladek's troubled remarriage, minor arguments between father and son, and life's everyday disappointments are all set against a backdrop of history too large to pacify. At every level this is the ultimate survivor's tale -- and that too of the children who somehow survive even the survivors.
