Search Results: Returned 6 Results, Displaying Titles 1 - 6
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2019., Potomac Books, an imprint of the University of Nebraska Press Call No: Bio S241f Availability:1 of 1 At Your Library
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04:18:24 Edition: Unabridged. Click to access digital title. Sample Summary Note: Finalist, Rogers Writers' Trust of Canada Fiction Prize; Finalist, Edmund White Award for Debut Fiction; a Globe and Mail Best Book of the Year In Téa Mutonji's disarming debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides to shave her head in the waiting room of an abortion clinic. These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed. Shut Up You're Pretty is the first book to be published under the imprint VS. Books, a series of books curated and edited by writer-musician Vivek Shraya featuring work by new and emerging Indigenous or Black writers, or writers of colour. Bespeak Audio Editions brings Canadian voices to the world with audiobook editions of some of the country's greatest works of literature, performed by Canadian actors.
![Shut up you're pretty [eAudiobook] : Stories](/Library/images/~imageCT103532.JPG "Shut up you're pretty [eAudiobook] : Stories")
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-- Shut up, you are pretty :2019., Adult, VS. Books, an imprint of Arsenal Pulp Press Call No: Fic Mut Availability:1 of 1 At Your Library Summary Note: In Tea Mutonji's debut story collection, a woman contemplates her Congolese traditions during a family wedding, a teenage girl looks for happiness inside a pack of cigarettes, a mother reconnects with her daughter through their shared interest in fish, and a young woman decides to shave her head in the waiting room of an abortion clinic.These punchy, sharply observed stories blur the lines between longing and choosing, exploring the narrator's experience as an involuntary one. Tinged with pathos and humour, they interrogate the moments in which femininity, womanness, and identity are not only questioned but also imposed.
