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    Search Results: Returned 63 Results, Displaying Titles 1 - 20
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      By Swift, Daniel, 1977-
       2010., Farrar, Straus and Giroux Call No: 821.914 S977b   Edition: 1st ed.    Availability:1 of 1     At Your Library Summary Note: "In early June 1943, James Eric Swift, a pilot with the 83rd Squadron of the Royal Air Force, boarded his Lancaster bomber for a night raid on Mnster and disappeared. Widespread aerial bombardment was to the Second World War what the trenches were to the First: a shocking and new form of warfare, wretched and unexpected, and carried out at a terrible scale of loss. Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second. In researching the life of his grandfather, Daniel Swift became engrossed with the connections between air war and poetry. Ostensibly a narrative of the authors search for his lost grandfather through military and civilian archives and in interviews conducted in the Netherlands, Germany, and England, Bomber County is also an examination of the relationship between the bombing campaigns of World War II and poetry, an investigation into the experience of bombing and being bombed, and a powerful reckoning with the morals and literature of a vanished moment"--From publisher description.
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      By Bobker, Danielle
       2020., Princeton University Press Call No: QWF 820.9 B663c    Availability:1 of 1     At Your Library Summary Note: "In early modern English interior design, closets provided royalty with secluded places for reading, writing, and storing valuables, as well as for nurturing the shifting alliances on which the politics of the day depended. Admission to the closet was contingent solely on the owner's approval, and the criteria for admission were necessarily opaque. Later, in the houses of nobility and, increasingly, those of the middle class, private rooms served as prayer closets, curiosity cabinets, dressing rooms, libraries, galleries, and impromptu bedrooms. Merging with the privy and the bath, they were remade as earth closets or water closets and bathing closets. In these new iterations, closets remained important spaces where physical closeness or the exchange of knowledge, or both, could take place. The Closet proposes that the closet's material proliferation had a distinctive relationship to literature. Drawing on work by Samuel Pepys, Jonathan Swift, and Laurence Sterne, among others, the author argues that eighteenth-century writers were curious about closet relations as such-including favoritism, patronage, and voyeurism-and also turned to the closet as a figurative bond between author and audience. Dozens of texts published in the seventeenth and eighteenth centuries were described by their writers or publishers as closets or cabinets, such as the novella "Miss C--'s Cabinet of Curiosity," containing knowledge that originated in courtly closets, prayer closets, and similar intimate spaces. The closet's longstanding associations with intimacy across social divides made it a touchstone for exploring the attachments made possible by the decline of the court, on one hand, and the proliferation of print, the first mass medium, on the other"--
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      By DeSalvo, Louise A., 1942-
       c1994., Dutton, Penguin Books Call No: 823.9 D441c    Availability:1 of 1     At Your Library Summary Note: DeSalvo (Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work) examines here the psychological forces that inform creativity in this lively literary study. Focusing on three 20th-century novels and one play, she presents biographical research to demonstrate how each author exacted revenge through writing fiction. Barnes's play, The Actiphon, according to the author, was a thinly disguised history of the sexual assaults she had endured from her father and brothers. Henry Miller wrote Crazy Cock to strike back at a wife who obsessed him, and the negative portrait of Hermione in Lawrence's Women in Love, DeSalvo argues, was based on former lover Lady Ottoline Morrell. DeSalvo also suggests provocatively that Leonard Woolf's characterization of his wife, Virginia, in The Wise Virgins, as frigid was inaccurate; rather, it was Leonard who was repelled by Virginia's sexual needs. Illustrations not seen by PW. Copyright 1994 Reed Business Information, Inc. -From Publisher's Weekly.
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      By Coleman, Patrick
       2018., McGill-Queen's University Press Call No: 819.309 C692e    Availability:1 of 1     At Your Library Summary Note: "The study of Montreal as a specific location in French and English writings has long been subordinated to the demands of linguistically divided and politically contentious narratives about national development. In this cross-linguistic study, Patrick Coleman models an inclusive and post-national literary history of the city itself. Tracing a sequence of moments in the emergence of the Montreal novel from World War II to the turbulent 1960s, Equivocal City offers close readings of fourteen key works of fiction, focusing on the inner dynamic of their construction as well as the unexpected convergences and contrasts in the narrative structures they adopt and the aesthetic perspective they seek to achieve. Critically sophisticated but accessibly written, this book gives a sympathetic account of how writers in both languages struggled to give integrated artistic expression to their experience of a city that was still linguistically compartmentalized and culturally insecure. By analyzing the interplay between story and narrative form, the book explores what French and English novelists could--and could not--imagine about the Montreal they sought to portray. From the responsible realism of Hugh MacLennan and Gabrielle Roy to the fractious phantasmagorias of Jacques Ferron and Leonard Cohen, Equivocal City traces the evolution of the Montreal novel with the aim of retrieving a shareable literary past."--