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    Search Results: Returned 2 Results, Displaying Titles 1 - 2
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      2014., General, Twentieth Century Fox Home Entertainment Call No: DVD Fic Book T    Availability:1 of 1     At Your Library Summary Note: "Based on the beloved best-selling book comes an 'extremely moving' (Leonard Maltin, Indiewire) story of a girl who transforms the lives of those around her during World War II, Germany. Although Liesel (Sophie Nelisse) is adopted by a German couple (Oscar Winner Geoffrey Rush and Emily Watson). Although she arrives illiterate, Liesel is encouraged to learn to read by her adoptive father. When the couple then takes in Max (Ben Schnetzer), a Jew hiding from Hitler's army, Liesel befriends him. Ultimately, words and imagination provide the friends with an escape from the events unfolding around them in this extraordinary, acclaimed film directed by Brian Percival (Downton Abbey)."--Container.
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      2003., Adult, TVA Films Call No: DVD Fic Pianist    Availability:1 of 1     At Your Library Summary Note: Roman Polanski's THE PIANIST is based on the memoirs of the talented pianist Wladyslaw Szpilman (Adrian Brody), a Polish Jew, who miraculously survived World War II. The first half of the film transports viewers to 1939 Poland, and brings it to life clearly and believably. Szpilman is a tall, handsome, winsome man who is revered for his piano performances on public radio. He lives with his family--an intelligent, loving, and spirited bunch--in an upscale flat in central Warsaw. Bombings have begun to torment the citizens of Warsaw, and step by step, the Nazis infiltrate, the Jews are branded and set apart from their neighbors, imprisoned in a ghetto, and slowly exterminated. The story is told through Szpilman's eyes, and thus carries as much confusion and fear as disgust and torment. Polanski paints Warsaw in bleak shades of gray and black, expressing the helplessness of the Jewish people and the cruelty of the Nazis with captivating photography. In the second half of the film, which takes place in the early 1940s, Szpilman is alone, having managed to avoid the trains to the death camps. His struggle to survive, with some help from non-Jews but mostly his own will to thrive, takes place in long, silent, languid stretches filled with the imagined piano music that inspires Szpilman to live. In a climactic scene of immense beauty and spine-tingling tension, Szpilman must actually perform for a German soldier who is inexplicably patrolling the near-deserted and utterly dilapidated Warsaw ghetto. THE PIANIST, in the subtlety of its sublime and heartbreaking tale, is carried by the intensely moving performance of Brody, whose transformation is truly unforgettable.