Search Results: Returned 8 Results, Displaying Titles 1 - 8
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2005., McGill-Queen's University Press Call No: QWF 388.55 R845s Availability:1 of 1 At Your Library Series Title: McGill-Queen's native and northern series
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-- Reconstruction, white supremacy, and the rise of Jim Crow.2019., Adult, Penguin Press Call No: BLK 973.04 G259s Availability:1 of 1 At Your Library Summary Note: A profound new rendering of the struggle by African-Americans for equality after the Civil War and the violent counter-revolution that resubjugated them, as seen through the prism of the war of images and ideas that have left an enduring racist stain on the American mind. The abolition of slavery in the aftermath of the Civil War is a familiar story, as is the civil rights revolution that transformed the nation after World War II. But the century in between remains a mystery: if emancipation sparked 'a new birth of freedom' in Lincoln's America, why was it necessary to march in Martin Luther King, Jr.'s America? In this new book, Henry Louis Gates, Jr., one of our leading chroniclers of the African-American experience, seeks to answer that question in a history that moves from the Reconstruction Era to the 'nadir' of the African-American experience under Jim Crow, through to World War I and the Harlem Renaissance. Through his close reading of the visual culture of this tragic era, Gates reveals the many faces of Jim Crow and how, together, they reinforced a stark colour line between white and black Americans. Bringing a lifetime of wisdom to bear as a scholar, filmmaker, and public intellectual, Gates uncovers the roots of structural racism in our own time, while showing how African Americans after slavery combated it by articulating a vision of a "New Negro" to force the nation to recognise their humanity and unique contributions to America as it hurtled toward the modern age. .
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c2006, McGill-Queen's University Press Call No: QWF 809.8971 S594t Availability:1 of 1 At Your Library Summary Note: The divided Montreal of the 1960s is very different from today's cosmopolitan, hybrid city. Taking the perspective of a walker moving through a fluid landscape of neighbourhoods and eras, Sherry Simon experiences Montreal as a voyage across languages. Sketching out literary passages from the then of the colonial city to the now of the cosmopolitan Montreal, she traces a history of crossings and intersections around the familiar sites and symbols of the city - the mythical boulevard Saint-Laurent, Mile End, the Jacques-Cartier Bridge, Mont-Royal.
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1998, c1995., New Press : Distributed by W.W. Norton Call No: 701 V834c Availability:1 of 1 At Your Library Series Title: Discussions in contemporary culture Volume: no. 10.
