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-- Fifty Canadians who changed the world2013., Adult, HarperCollinsPublishersLtd Call No: 971.009 M146f Availability:1 of 1 At Your Library Summary Note: "Using the successful format of How the Scots Invented Canada, Ken McGoogan takes the reader on a compelling journey throughthe lives of fifty accomplished Canadians born in the 20th century who have changed<U+2014>and often continue to change<U+2014>the great wide world. He discovers an astonishing array of activists, humanitarians, visionaries, scientists and inventors, all of whom have made an impact internationally. From Tommy Douglas, Pierre Trudeau, John Kenneth Galbraith, Naomi Klein, Marshall McLuhan, Stephen Lewis and Roméo Dallaire to Glenn Gould, David Suzuki, Mike Lazaridis, Margaret Atwood, Oscar Peterson, Leonard Cohen and thirty-seven others, Ken McGoogan shows us why and how Canadians move in the wider world as influencers and agents of progressive change. Say hello to fifty Canadians who are shaping the future."--From publisher.
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2007., Hurtubise HMH Call No: FR Fic Dav Availability:1 of 1 At Your Library Series Title: Amours interdites Volume: tome IIISummary Note: Le printemps 1967 s'annonce et avec lui souffle un vent nouveau qui fera virevolter le destin de plusieurs des habitants de Saint-Jacques-de-la-Rive. L'heure est au bouleversement des mœurs et des valeurs. Ce que l'on nommera plus tard la Révolution tranquille s'est bel et bien installée, malgré les répliques acerbes du curé Savard, à qui Étienne Fournier et les autres membres de la fabrique répondront sur le même ton. Le maire, Côme Crevier, ne sera pas en reste, incarnant dorénavant l'autorité dans son village. Alors que tous les regards sont fixés sur Montréal et son exposition universelle, les jeunes adultes des familles Veilleux, Fournier, Hamel et Tremblay sont appelés à faire des choix. Bataille de coq, déception amoureuse, emplois prometteurs, grossesse honteuse, promesse de mariage, émancipation, perte d'enfant, tous sont emportés par le tourbillon de la vie. Nostalgiques devant tous ces changements, la génération de leurs parents se réfugie dans les souvenirs. Étrangement, la relation chaotique qu'entretiennent Bertrand Tremblay et d'André Veilleux leur rappelle celle, aussi houleuse, de leurs grands-pères Eugène et Ernest.
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-- Rémanences :2002., Concordia University Institute for Canadian Jewish Studies Call No: 700.458 L616a Availability:1 of 1 At Your Library
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1999., Guernica Call No: 818.54 S182a Availability:1 of 1 At Your Library Series Title: Essay series Volume: 35
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2022., Adult, HarperCollins Publishers Ltd Call No: Bio H927a Availability:1 of 1 At Your Library Summary Note: Into the writer’s isolation comes a dog, to sit beside the chair or to lie on the couch while the writer works, to force them outside for a walk, and suddenly, although still lonely, the writer has a companion. An artist’s solitude is a sacred space, one to be guarded and kept apart from the chaos of the world. This isolation allows for uninhibited wandering, uninterrupted meditation, and the nurturing of sparks of inspiration into fires of creation. But in the artist’s quiet there is also loneliness, self-doubt, the possibility of collapsing too far inward. What an artist needs is a familiar, a creature perfectly suited to accompany them on this coveted, difficult journey. They need a companion with emotional intelligence, innate curiosity, passion and energy and an enthusiasm for the world beyond, but also the capacity to sleep contentedly for many hours. What an artist needs, Helen Humphreys would say, is a dog. AND A DOG CALLED FIG is a memoir of the writing life told through the dogs Helen has lived with and loved over a lifetime, culminating with the recent arrival and settling in of Fig, a Viszla puppy. Interspersed are stories of other writers and their irreplaceable companions: Virginia Woolf and Grizzle, Gertrude Stein and Basket, Thomas Hardy and Wessex—the dog who walked the dining table at dinner parties, taking whatever he liked—and many more. It’s a book about companionship and loss and creativity that is filled with the beauty of a steadfast canine friend and the restorative powers of nature. It is also a book about craft, divided into sections that echo the working parts of a novel – Beginnings, Character, Pacing, Setting, Structure, Process, Endings. Just as every work of art is different, every dog is different—with distinctive needs and lessons to offer. And if we let them guide us, they, like art, will show us many worlds we would otherwise miss.
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2019., Adult, Alfred A. Knopf Canada Call No: Fic Hoz Availability:1 of 1 At Your Library Summary Note: "This extraordinary, gripping debut is a rags-to-riches-to-revolution tale about an orphan girl's coming-of-age in Iran. Margaret Atwood calls it "an Iranian Doctor Zhivago." It is the mid-1950s in a democratic but restless Iran, a country newly powerful with oil wealth but unsettled by class and religious divides and by the politics of a larger world hungry (especially the West) for its resources. One night, a humble driver in the Iranian army is walking through a rough area of Tehran when he hears a small, pitiful cry. Curious, he searches for the source, and to his horror, comes upon a newborn baby abandoned by the side of the road and encircled by ravenous dogs. He snatches up the child--and forever alters his own destiny and that of the little girl, whom he names Aria. Thus begins a stunning and revelatory debut that takes us inside the Iranian revolution--but as seen like never before, through the eyes of an orphan girl. The novel is structured around each of the three very different women who find themselves fated to mother the lost child: first, the working-class, reckless and self-involved Zahra, married to the kind-hearted soldier; then the wealthy, careful and compassionate Fereshteh, who invites Aria into her compound and adopts her as an heir; and finally, Aria's biological mother, Mehri, whose new family Aria discovers in adolescence. A final section, "Aria," takes us through the brutal coup d'etat that installs the Shah as Iran's supreme leader, even as Aria falls in love with a revolutionary and becomes a young mother herself. Here is a sweeping, unforgettable, timely saga that brilliantly humanizes people trapped and left powerless and voiceless by an unjust world--people no different from those in the west, wanting love, kindness, belonging and freedom of thought"--Provided by publisher.
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-- Story of CanLit2017., General, House of Anansi Press Call No: 810.9 M828a Availability:1 of 1 At Your Library Summary Note: "In the mid-twentieth century, Canadian literature transformed from a largely ignored trickle of books into an enormous cultural phenomenon that produced Margaret Atwood, Alice Munro, Michael Ondaatje, Mordecai Richler, and many others. Writer and critic Nick Mount answers the question: What caused the CanLit Boom? The story of Canada's literary awakening. Enlightening mini-biographies of the people who made it happen, from superstars Leonard Cohen and Marie-Claire Blais to lesser-known lights like the troubled and impassioned Harold Sonny Ladoo. The underground exploits of the blew ointment and Tish gangs; revolutionary critical forays by highbrow academics; the blunt-force trauma of our plain-spoken backwoods poetry; and the urgent political writing that erupted from the turmoil in Quebec. Nick Mount is a professor of English literature at the University of Toronto"--Provided by publisher.
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2015., Talonbooks Call No: QWF Bio G132a Edition: Translated ed. Availability:1 of 1 At Your Library Summary Note: One of Canadaœs greatest literary figures reflects on life at the centre of Quebec literary arts. Re-examining the influences of her early life in a large, rural Catholic family, Madeleine Gagnon not only explores her rejection of unexamined values as part of her intellectual development but also her refusal to be categorized by her gender.Karl Marx replaced Paul Claudel in Gagnonœs intellectual pantheon. Psychoanalysis gave rise to the desire to write, and her first works poured out in a torrent. She describes the friendships that played such a large part in her life and the feminist battles of the time with all their hopes and disappointments. At the same time she casts a sharp eye on contemporary Quebec society, tracing the emergence of a distinct Canadian literature.This is an account of a life well lived, told with candour, wisdom, and an inextinguishable sense of wonder.
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2011., Viking Canada Call No: QWF 813.54 Y24b Availability:2 of 2 At Your Library Summary Note: A veteran book reviewer, Yanofsky has spent a lifetime immersed in literature (not to mention old movies and old jokes), which he calls shtick. This account of a year in the life of a family describes a father's struggle to enter his son's world, the world of autism, using the materials he knows best: self-help books, feel-good memoirs, literary classics from the Bible to Dr. Seuss, old movies, and, yes, shtick. Funny, wrenching, and unfailingly candid, Bad Animals is both an exploration of a baffling condition and a quirky love story told by a gifted writer.
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2003., Vintage Canada Call No: 813.54 H891h Edition: 1st ed. Availability:1 of 1 At Your Library Summary Note: Takes the reader around the world, from France to Canada to Kenya to the Philippines to Australia and back again.
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c1996., Douglas & McIntyre ; University of Washington Press Call No: 759.11 C311b Availability:1 of 1 At Your Library
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2016., General, Biblioasis Call No: 823.91409 W113b Availability:1 of 1 At Your Library Summary Note: CBC Radio One's flagship literary show Writers & Company celebrated its 25th anniversary in 2015. The show's host, Eleanor Wachtel, is one of the English-speaking world's most respected and sought-after interviewers. This book presents many of her best conversations from the show with authors including Jonathan Franzen, Alice Munro, Hilary Mantel, J.M. Coetzee, Zadie Smith, W.G. Sebald, Toni Morrison, Seamus Heaney, and nearly a dozen others who share their views on process, the writing life, and the hazards of literary fame.
