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-- Rémanences :2002., Concordia University Institute for Canadian Jewish Studies Call No: 700.458 L616a Availability:1 of 1 At Your Library
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-- Palazzo pubblico, Siena1994., George Braziller Call No: 759.5 S795a Availability:1 of 1 At Your Library
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1995., Clarendon Press ; Oxford University Press Call No: 759.5 P386k Availability:1 of 1 At Your Library Series Title: Clarendon studies in the history of art
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c1989., Mackenzie Art Gallery Call No: 759.11 G625c Availability:1 of 1 At Your Library Series Title: Mackenzie Art Gallery permanent collection Volume: no. 1.
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2021., HarperCollins Publishers Inc. Edition: Unabridged. Connect to this eAudiobook title Summary Note: There is absolutely no logical reason why I am here. The life trajectory my nationality and class and circumstances portended for me was not even remotely close to the one I now navigate. But logic is a science and living is an art. The release I felt in writing my first memoir, Not My Father's Son, was matched only by how my speaking out empowered so many to engage with their own trauma. I was reminded of the power of my words and the absolute duty of authenticity. But... No one ever fully recovers from their past. There is no cure for it. You just learn to manage and prioritize it. I believe the second you feel you have triumphed or overcome something ? an abuse, an injury to the body or the mind, an addiction, a character flaw, a habit, a person ? you have merely decided to stop being vigilant and embraced denial as your modus operandi. And that is what this book is about, and for: to remind you not to buy in to the Hollywood ending. Ironically maybe, much of Baggage chronicles my life in Hollywood and how, since I recovered from a nervous breakdown at 28, work has repeatedly whisked me away from personal calamities to sets and stages around the world. It is also about marriage(s): starting with the break-up of my first (to a woman) and ending with the ascension to my second (to a man) with many kissed toads in between! But in everything, each failed relationship or encounter with a legend (Liza! X Men! Gore Vidal! Kubrick! Spice Girls!), in every bad decision or moment of sensual joy I have endeavored to show what I have learned and how I've become who I am today: a happy, flawed, vulnerable, fearless middle-aged man, with a lot of baggage.
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c1996., McGill-Queen's University Press Call No: QWF 809.933 W722d Availability:1 of 1 At Your Library
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2008., Adult, Wilfrid Laurier University Press Gazelle [distributor] Call No: 791.43 E37h Availability:1 of 1 At Your Library
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c2009., W.W. Norton & Co. Call No: 814.54 R495h Edition: 1st ed. Availability:1 of 1 At Your Library
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2023., Arnoldsche Art Publishers Call No: NEW 758.7 P142j Availability:1 of 1 At Your Library Summary Note: James Wilson Morrice: Paintings and Drawings of Venice is the first comprehensive overview of the artist’s images of Venice, Italy. Living in Paris for most of his life, Morrice (1865–1924) was the first Canadian painter to make regular trips to Venice from the mid 1890s to about 1908. This book situates Morrice within the history of Venice and Venetian art in the late 19th and early 20th centuries by looking carefully at his more than 100 modernist paintings and numerous drawings of “La Serenissima.” During his lifetime, Morrice’s Venetian pictures appeared in art exhibitions in Paris, London and other European countries, as well as in Montreal and the United States. Constantly cited in exhibition reviews, Morrice was praised for his modernity, and his Venice works have ensured his fame and importance for years to come.
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2016., Doubleday Canada Call No: 759.4 K52m Availability:0 of 1 At Your Library Summary Note: Acclaimed historian Ross King paints the most nuanced, riveting and humane portrait yet of Claude Monet, arguably the most famous artist of the 20th century. We have all seen - live, in photographs, on postcards - some of Claude Monet's legendary water lily paintings. Yet nobody knows the extraordinarily dramatic story behind their creation. Using letters, memoirs and other sources not employed by other biographers, and focusing on this remarkable period in the artist's life, Ross King reveals a more complex, more human, more intimate Claude Monet than has ever been portrayed. Canadian author.
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c2005., Taschen Call No: NEW 759.13 R669m Availability:0 of 1 At Your Library Series Title: Basic art series