Search Results: Returned 18 Results, Displaying Titles 1 - 18
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2007., Anansi Call No: QWF 811.54 M931o Availability:1 of 1 At Your LibraryConnect to Internet resource
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c1988., Anansi Call No: 811.54 M931f Availability:1 of 1 At Your Library Series Title: House of Anansi poetry series Volume: 48.
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By Verduyn, Christl, 1953- Wiseman, Adele Laurence, Margaret Rule, Jane Waddington, Miriam Webb, Phyllis, 1927- Page, P.K Atwood, Margaret Marlatt, Daphne Scott, Gail Tostevin, Lola Lemire Mouré, Erin, 1955- Warland, Betsy, 1946- Brandt, Di, 1952- Maracle, Lee Van Herk, Aritha, 1954- Gunnars, Kristjana, 1948- Bannerji, Himani Philip, M. NourbeSe Brand, Dionne, 1953- Elliott, Al2023., Guernica Editions Call No: NEW QWF 814.009 V487h Edition: First edition. Availability:1 of 1 At Your Library Series Title: Essential essays series Volume: 81.Summary Note: Her Own Thinker: Canadian Women Writers as Essayists explores the thinking, ideas, and insights that Canadian women fiction writers have chosen to express in essay form rather than in fiction form. It looks at this substantial body of writing with a primary focus on collections of essays, and on those published since the 1960s. In all, it considers over 40 collections, offering an overview and appreciation of this generally overlooked work and its contributions to cultural and intellectual thinking in Canada.
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2015., House of Anansi Press Call No: QWF 811.54 M931k Availability:1 of 1 At Your Library Summary Note: In Kapusta, Moure performs this silence on the page and aloud, writing gesture· and voice· to explore the relation between responsibility and place, body, memory, sorrow, and sonority. Here, poetry flourishes as a book beyond the book,· in a space of performance that starts and stops time.In Little Theatres, Erín Moureœs avatar Elisa Sampedrín first spoke about theatre and the need for smallness in order to articulate what is huge. Sampedrín, who reappears in the translation mystery O Resplandor as the translator of a language she does not speak, vanishes later in The Unmemntioable when the split in human identity that results from war and displacement is acknowledged. Now, in Kapusta, the character E. is alone, in the smallest of spaces the bench behind her grandmotherœs woodstove in Alberta. Here, E. struggles to face the largest of historical and imagined spaces the Holocaust in Western Ukraine, and to understand her motherœs silence at the sadness of her forebears, her salt-shaker love.·.
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-- Aturuxos calados.c2005., House of Anansi Press Call No: QWF 811.54 M931l Availability:1 of 1 At Your Library
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c1992., Véhicule Press ; Distributed by General Distribution Services Call No: QWF 811.54 M931s Availability:1 of 1 At Your Library
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2017., New Star Books Call No: QWF Bio M931s Availability:1 of 1 At Your Library Summary Note: Sitting Shiva on Minto Avenue, by Toots is the story of a man who had no obituary and no funeral and who would have left no trace if it weren't for the woman he'd called Toots, who took everything she remembered of him and - for seven days - wrote it down. In recording the tale of the little man, through memories and Google searches, the book gives a glimpse into an entire era of urban Canada, from Vancouver's Downtown Eastside and Main Street and Chinatown to a long-ago Montreal between the Great Depression and Expo '67.
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c2013., Coach House Books Call No: QWF 811.6 B874w Edition: 1st English ed. Availability:1 of 1 At Your Library Summary Note: Between the verbs quivering and streaming, White Piano unfolds its variations like musical scores. A play of resonance between pronouns and persons, freely percussive between prose and poetry, and narrating a constellation of questions, White Piano offers readers a 'language that cultivates its own craters of fire and savoir-vie.'.
