Search Results: Returned 4 Results, Displaying Titles 1 - 4
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2003., Snoeck Publisher Call No: 709.04 M811g c.2 Availability:2 of 2 At Your Library Summary Note: In his 1962 book The Gutenberg Galaxy, Marshall McLuhan wrote the famous words: "The new electronic interdependence recreates the world in the image of a global village." As predicted by the renowned Canadian media theorist, satellite telecommunications, beginning with the first Sputnik launch in 1957, united humanity under a vast "cosmic membrane." An immense web of waves echo information around the planet, and distance and time are abolished. Dreams, upheavals, trends, and conflicts are now experienced on a global scale. Global Village: The 1960s plumbs the depths of those planetary echoes as they resonated throughout the decade in the fields of visual arts, decorative arts, fashion, and architecture. Along with a wealth of images, it contains interviews with diverse key figures of the time, including designer Ettore Sottsass, art critic Arthur Danto, artist Yoko Ono, filmmaker Agnès Varda, curator Okwui Enwezor, writer Tobias Wolff, playwright Michel Tremblay, and artist Carolee Schneeman.Edited by Stéphane Aq.
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2012., Montreal Museum of Fine Arts : DelMonico Books Call No: 709.04 W515a Availability:1 of 1 At Your Library Summary Note: This book examines the work of Tom Wesselmann, one of the great American Pop artists alongside Roy Lichtenstein and Andy Warhol, and sheds new light on his distinctive contributions to art history. Exploring Wesselmann's steadfast focus on the fundamentals of art making, this generously illustrated volume casts him as an heir to both Ingres and Matisse, and a forefunner to contemporary artists such as Eric Fischl, Richard Phillips, and Mickalene Thomas. While famous for his Great American Nude series and still lifes of the early 1960s, Wesselmann consistently reinvented himself as an artist. He explored a variety of techniques including collage, painting, bas-relief, still lifes, laser-cut landscapes, and three-dimensional nudes. Wesselmann's forceful compositions exude cool objectification and rich sensuality, and exemplify the shift in cultural paradigms, between the old world and the new that began in the 1960s. Wesselmann also wrote country music, including the classic song "I Love Doing Texas with You," which appears on the soundtrack to Brokeback Mountain. Including scholarly essays and numerous illustrations, this monograph reveals the astonishing visual impact and superb aesthetic quality of Wesselmann's work.
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2008., Prestel Call No: 709.73 W275a Availability:1 of 1 At Your Library Summary Note: This catalogue accompanying an exciting new exhibition reveals the myriad ways Warhol immersed himself in the music of his time. Tracing back to Warhol's introduction to music through the musical comedies, songs and soundtracks of his youth, this book opens with Warhol's portraits of the great films stars of his childhood. As the fascinating essays collected in this volume discuss, Warhol's renowned portraits of pop music icons such as Mick Jagger, Debbie Harry and Grace Jones are just one manifestation of his interest in music. Warhol collaborated with choreographer Merce Cunningham, served as producer for the Velvet Underground, incorporated music into his films, produced video-clips, designed dozens of record albums, filmed live concerts and created multimedia spectacles.Although never a musician himself, Warhol appropriated the imagery of a pop icon for some of his most arresting and haunting self portraits. Designed to echo the music industry's most recognizable emblem - the album cover - this dynamic book includes more than 350 illustrations, offering a refreshing new way to appreciate the talent and evolution of an artist who mirrored society's ever-changing tastes and interests.